Billie Eillish Bud Guy

“White shirt now red, my bloody nose”

Unclear where Billie drew the inspiration for the song’s epic intro, but as Geniuspoints out, the video features her wearing a white shirt while having a nosebleed, so let’s assume she’s being literal here.

The song continues:

“Sleepin’, you’re on your tippy toes
Creepin’ around like no one knows
Think you’re so criminal
Bruises on both my knees for you
Don’t say thank you or please
I do what I want when I’m wanting to
My soul? So cynical”


 Billie is playing with power dynamics 
But it also seems like she’s playing a character in a song that’s somewhat satirical (mocking another´s weaknesses) 
“It’s basically making fun of everyone and their personas of themselves. Even mine,” Billie explained while chatting in the interview below. “The initial idea for the song is, like, people who have to tell everybody that they are a certain way all the time? They’re not that certain way. […] In general, I feel like you will never catch a bad bitch telling everyone she’s a bad bitch. It’s on—it’s you. If you’re going around all the time saying, like, ‘Yeah, I’m bad, I’m always breaking rules and doing this and doing that.’ You’re not. I know that because I used to say that and I wasn’t. Bad kids, bad boys, bad bitches, whatever, they do that sh*t and they don’t even know.”

Which brings us to the chorus:

“So you’re a tough guy
Like it really rough guy
Just can’t get enough guy
Chest always so puffed guy
I’m that bad type
Make your mama sad type
Make your girlfriend mad tight
Might seduce your dad type
I’m the bad guy
Duh”

So…that “might seduce your dad type” line has gotten some side-eyes from more conservative fans (especially since Billie was underage when she wrote it)

In verse two, Billie goes even deeper into power dynamics between her character and the dude she’s singing about. At least that’s what I’m getting here. Agree?

“I like it when you take control
Even if you know that you don’t
Own me, I’ll let you play the role
I’ll be your animal”

She also makes it clear that her mom isn’t gonna love this song thanks to the provocative lyrics:

“My mommy likes to sing along with me
But she won’t sing this song
If she reads all the lyrics
She’ll pity the men I know”


“I like when you get mad
I guess I’m pretty glad that you’re alone
You said she’s scared of me?
I mean, I don’t see what she sees
But maybe it’s ’cause I’m wearing your cologne”


Billie again seems to question the way women are stereotypically painted in relationships—she’s wearing cologne, she’s dominant, and the other woman in this guy’s life is intimidated by her.


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Juan de Flandes painting. Portrait of an Infanta and Portrait of a young girl (Petrus Christus)

FLANDES, Juan de_Retrato de una Infanta Catalina de Aragón (?), c. 1496_141 (1930.36)


The influence of Flemish art was a shared feature among the wide variety of artistic styles and regional schools within 15th-century Spanish art. This influence led to the creation of a new, characteristically Spanish style that prevailed in the second half of the 15th century known as Hispano-Flemish art. The Catholic Kings played an important role within the development of this trend, reflecting their own artistic preference for the realist art of Flanders. Artists such as Juan de Flandes and Michiel Sittow, both in the service of the Crown, fulfilled the royal requirements for portraiture at the end of the century

 

Petrus ChristusPortrait of a Young Girl, c. 1465–70. 29 cm × 22.5 cm, Gemäldegalerie, Berlin

Portrait of a Young Girl is a small oil-on-oak panel painting by the Early Netherlandish painter Petrus Christus. It was completed towards the end of his life, between 1465 and 1470,[1][2] and is held in the Gemäldegalerie, Berlin. It marks a major stylistic advance in contemporary portraiture; the girl is set in an airy, three-dimensional, realistic setting,[3] and stares out at the viewer with a complicated expression that is reserved, yet intelligent and alert.[4]

It is widely regarded as one of the most exquisite portraits of the Northern Renaissance. Art historian Joel Upton described the sitter as resembling “a polished pearl, almost opalescent, lying on a cushion of black velvet.”[5] The panel builds on the work of Jan van Eyck and Rogier van der Weyden, and was highly influential in the decades after its completion. Its appeal lies in part in her intriguing stare, accentuated by the slight misalignment of her eyes, while the eyebrows are faintly skewed.[6]

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Nina Simone Ain´t Got not, I´ve got life

Nina Simone Ain´t Got

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Song Woman in a Word by Lorey Rodriguez


Lyrics Woman in a Word
American singer-songwriter, Lorely Rodriguez. Ethnically, her parents are Spanish-Honduran descents. She gained attention in 2012 for anonymously releasing a series of 1 minute-long demos (via YouTube) prefaced only by a solid color entitled “Colorminutes”.[1] Her first 7″ single, “Champagne” was released soon after on November 5, 2012 through a limited run via No Recordings

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TED TALKS (examples of African artists…literature, painting, photographies)

In this section you have different examples of interesting talks from which you can chose in order to prepare you speaking activity (5 minutes talk in your class). You can choose any talk from the TED TALKS or any other one you find interesting.The talks should last about 15-20 minutes.

TED-TALKS

Chimamanda Adichie: The danger of a single story

Titus KapharCan art amend history?

works

SOCIAL DANCE

title=”Omar Victor Diop”>Omar Victor Diop On the tradition of portraits in Senegal

Photographs Omac Victor Diop

omar victor diop presents remixed portraits of africa’s past at design indaba

Guardian Africa network
Fantasy Hollywood: restaging classic films with black modelshttp://www.theguardian.com/world/2014/jan/30/fantasy-hollywood-black-models

RE-MIXING HOLLIWOODhttp://www.omarviktor.com/re-mixing

Touria El Glaoui :Inside African Art

From the exhibition (2015) MAKING AFRICA
An exhibition at the Guggenheim Museum,and BBC aims to show how a new generation of Africans are giving the world a fresh perspective on their continent. Making Africa brings together the work of 120 artists and designers.

Interview: Art, religion, homosexuality, design… in Africa
Koyo Kouoh (curator of the exhibition Making Africa)

lawrence lemaoana (South African)

Hassan Hajjaj works
Hassan Hajjaj (Morocco) interview & works
Photographers (MALI) MALICK SIDIBÉ
Pictures and SEYDOU KEÏTA

“Junot Díaz -writer from Dominican Republic

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Cold War Kids “Hang Me up to Dry” + DUFFY “Mercy”

Cold War Kids “Hang Me Up to Dry”


lyrics
(Spanish subt)

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sinnerman (spiritual) by Nina simmone and Extra Fancy (two very different versions)

Sinnerman Lyrics (Alexis Arquette)
Extra Fancy – Sinnerman – Original Video (with Alexis Arquette)

Nina Simone sinnerman

lyrics

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Thank You, Ma’am (by Langston Hughes)+ Touki Bouki (film from Senegal)

Short Story by Lanston Hughes
Thank You, Ma´am

“Dream Deferred (Harlem)” Langston Hughes recites his famous poem = Harlem Renaissance literature

Langston Hughes & the Harlem Renaissance: Crash Course Literature

Characteristics of Renaissance Literature

Renaissance literature is characterized by a tendency toward humanist, or nonreligious, topics. The period as a whole marked a dramatic shift away from strict adherence to Church doctrines, and much of the literature of the era, such as Shakespeare’s “Hamlet,” depicts secular philosophical struggles with topics such as individuality, death and morality.
The philosophical and historical period known as the Renaissance started in Italy during the 14th century and spread throughout Europe, bringing on a rebirth of secular creative endeavors and study after a long period of domination by the Catholic Church. Writers such as Petrarch, Shakespeare and John Milton explored literary themes relating to the Renaissance ideal of individuality — a concept that was actually relatively new at the time. Renaissance works such as Milton’s “Paradise Lost” explore the topic of religion in a critical, though not necessarily negative, manner that implies a degree of questioning and a shift away from dogmatic adherence to religious convention.

Harlem Renaissance
http://peopleof.oureverydaylife.com/distintive-characteristics-harlem-renaissance-9413.html

AFRICAN CINEMA
Introduction by Martin Scorsese
Martin Scorsese – African Film Heritage Project (Il Cinema Ritrovato 2017)

TOUKI BOUKI (Senegal)

Touki Bouki film (English subt)
The making of African cinema SEMBENE

MOOLADÉ BY OUSMANE SEMBENE

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SHORTCUT TIMECODE + CARANCHOA…

You will see two videos related to *”YOUTUBERS”(a frequent user of the video-sharing website, especially someone who produces and appears in videos on the site).
Try to think about this “popular” activity among young people. Do you think it is right to record anything as you have in the second example (caranchoa), using insults…
Prepare your opinion to speak in class. Bring any other information about this topic you have.

Chilean Shortcut TimecodeShortcut Timecode

Director: Benito Espinosa
Títle: Timecode
Year: 2014
Nationality: Chilean
Duration: 4:29
Género: Suspenso – Thriller sicológico

CaranchoaCaranchoa

*Other Chilean film makers (nothing to do with the above topic)
Patricio Guzman (last documentary: The Pearl Button)

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Bob Dylan Hurricane

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